Check with your cast and crew whether they have an IMDb page first.
A spreadsheet will help you. So will having your film open in a tab with the credits.
You have to have an official website for your film.
You should already have your film online.
Anyone can submit to IMDb, but having IMDbPro and Contributor Status helps get your films approved quicker and easier.
Another few points (that I don’t think I made in the video)
don’t create an IMDb page until you have shot your film. Even though you can create an ‘in development’ page, it is really hard to remove a credit from IMDb if someone drops off the project last minute. If you wait until your film is finished, the credits will be correct.
Have a portrait poster image.
Adding a thumbnail poster to your IMDb page makes the film look 100%* better for everyone involved.
IMDb thumbails are portrait (rather than landscape), so make sure your film title works portrait.
Because it’s a thumbnail, it is going to be very small. So you don’t need the credit block or lots of writing on your poster.
With AOTS, we have started creating poster thumbnails specifically for IMDb. Below we have two versions of the poster from our June 2017 Action On The Side project, ‘Exposure‘
The IMDb poster
The poster with credit block
Now, check the IMDb page for Exposure here. Click the pages for some of the Cast and Crew: doesn’t it look better on their page? The thumbnail really adds to their pages.
Recently I even went back and created thumbnails for some of my earlier films, using Canva.com.
Creating a poster is vital for your films. (I’ll write another blog post on this soon.)
Good luck creating IMDb pages for your film!
*or 150% or 200% or 1000% — I hate hyperbole when it comes to percentages. Also, that’s a made up number. Just — it makes your film look more professional and way better.
It’s been a long time since I updated my blog. I’m on set for our March 2018 Action On The Side short film, The Last Postcard. As Producer, I’ve organised everyone to be here: the cast, the crew, the location, the budget. As on-set DIT, I receive the footage and sound files and save it onto three different hard drives. As the Organiser, I’m in charge of the skills development of the project. People taking part benefit from my teaching on film production techniques, so they can become better filmmakers (part of the AOTS USP).
I learn something new on every film shoot. So far I’ve learnt that there’s no way of knowing when the building will hire someone to steam clean the carpets (on a weekend no less!). Every AOTS iteration I invest in something to make life easier in future: for this month, we have lids on our cups (sustainable and safe); I’ve developed more resources (like a Director’s checklist, a location recce checklist, and a chain of title checklist); and now we have three AOTS External Hard-drives.
We’re shooting in a beautiful flat in Holland Park. Gavin, the DP, is shooting on a BMCC, with an external monitor.
Overall the shoot is going well. I’m looking forward to see the finished film in two weeks’ time.
I’ve been all ‘heads-down, tails-up’ with my master’s studies, working 4 days a week, running the March 2016 AOTS project, running the business and doing general filmmaking stuff. In the lead-up to the June 2016 AOTS project — two weeks away! — I’ve started vlogging.
Check out the first one below:
In one of my master’s modules (not this one, but the next one), I’m going to be developing my mentoring and training skills through vlogging. I’m starting now with promoting Action On The Side. Expect more to come.
And, click the Closed Captions button — isn’t that nifty?